THE ACCOUNTS
These Accounts Document A Collection Of Inspiring Things For/from My Thesis (September 2009-April 2010). If you type "thesis idea" in the search engine, you'll get the gist of what I worked on! You can also check out my other blog - houseandhomme.tumblr.com
THE ACCOUNTS
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nnmprv:

Monumental Installations by John Grades.
You can find me on: Instagram | Pinterest | Behance
nnmprv:

Monumental Installations by John Grades.
You can find me on: Instagram | Pinterest | Behance
nnmprv:

Monumental Installations by John Grades.
You can find me on: Instagram | Pinterest | Behance
nnmprv:

Monumental Installations by John Grades.
You can find me on: Instagram | Pinterest | Behance
nnmprv:

Monumental Installations by John Grades.
You can find me on: Instagram | Pinterest | Behance
nnmprv:

Monumental Installations by John Grades.
You can find me on: Instagram | Pinterest | Behance
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ryanpanos:

The Building on the Water | Álvaro Siza | Carlos Castanheira | FG + SG | Via
ryanpanos:

The Building on the Water | Álvaro Siza | Carlos Castanheira | FG + SG | Via
ryanpanos:

The Building on the Water | Álvaro Siza | Carlos Castanheira | FG + SG | Via
ryanpanos:

The Building on the Water | Álvaro Siza | Carlos Castanheira | FG + SG | Via
ryanpanos:

The Building on the Water | Álvaro Siza | Carlos Castanheira | FG + SG | Via
ryanpanos:

The Building on the Water | Álvaro Siza | Carlos Castanheira | FG + SG | Via
ryanpanos:

The Building on the Water | Álvaro Siza | Carlos Castanheira | FG + SG | Via
ryanpanos:

The Building on the Water | Álvaro Siza | Carlos Castanheira | FG + SG | Via
ryanpanos:

The Building on the Water | Álvaro Siza | Carlos Castanheira | FG + SG | Via
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ryanpanos:

Conclusus | Alberto Campo Baeza | Fabio Candido
In recent years, the many European citizens believe that their Countries suffer an oppressive bureaucracy, due to the redundancy of public authorities.
The Junta de Castilla y Leòn, client of the project of Alberto Campo Baeza, is a local authority that by nature should have a direct relationship with the territory and citizens. This is the reason why Campo Baeza - as himself writes - focused his work on the relationship between inner space and outer space, opening the wall to select with accuracy some views of the city. It is an exemplary design on the theme of hortus conclusus.
From many sides the Junta de Castilla y Leòn is considered an useless and inefficient authority, due to a cultural detachment between its policy and citizen’s demands. Furthermore - maybe for this reason - many Zamora’s inhabitants perceive as a negative factor the detachment between the authority’s offices and the city, due to the fence. Maybe the windows in the wall are not adequate because the client is far from the territory.
This photographic work analyze the condition of detachment between architecture (authority) and the city (citizenry), showing the image of a building suspended in its own closure.
The perception of the scale becomes ambiguous. The relationship figure-background is resolved in its own: the building is alternately figure and background of itself. This architecture is sophisticated, refined in its shape and details, but is limited in a suspended and laconic dimension. 
ryanpanos:

Conclusus | Alberto Campo Baeza | Fabio Candido
In recent years, the many European citizens believe that their Countries suffer an oppressive bureaucracy, due to the redundancy of public authorities.
The Junta de Castilla y Leòn, client of the project of Alberto Campo Baeza, is a local authority that by nature should have a direct relationship with the territory and citizens. This is the reason why Campo Baeza - as himself writes - focused his work on the relationship between inner space and outer space, opening the wall to select with accuracy some views of the city. It is an exemplary design on the theme of hortus conclusus.
From many sides the Junta de Castilla y Leòn is considered an useless and inefficient authority, due to a cultural detachment between its policy and citizen’s demands. Furthermore - maybe for this reason - many Zamora’s inhabitants perceive as a negative factor the detachment between the authority’s offices and the city, due to the fence. Maybe the windows in the wall are not adequate because the client is far from the territory.
This photographic work analyze the condition of detachment between architecture (authority) and the city (citizenry), showing the image of a building suspended in its own closure.
The perception of the scale becomes ambiguous. The relationship figure-background is resolved in its own: the building is alternately figure and background of itself. This architecture is sophisticated, refined in its shape and details, but is limited in a suspended and laconic dimension. 
ryanpanos:

Conclusus | Alberto Campo Baeza | Fabio Candido
In recent years, the many European citizens believe that their Countries suffer an oppressive bureaucracy, due to the redundancy of public authorities.
The Junta de Castilla y Leòn, client of the project of Alberto Campo Baeza, is a local authority that by nature should have a direct relationship with the territory and citizens. This is the reason why Campo Baeza - as himself writes - focused his work on the relationship between inner space and outer space, opening the wall to select with accuracy some views of the city. It is an exemplary design on the theme of hortus conclusus.
From many sides the Junta de Castilla y Leòn is considered an useless and inefficient authority, due to a cultural detachment between its policy and citizen’s demands. Furthermore - maybe for this reason - many Zamora’s inhabitants perceive as a negative factor the detachment between the authority’s offices and the city, due to the fence. Maybe the windows in the wall are not adequate because the client is far from the territory.
This photographic work analyze the condition of detachment between architecture (authority) and the city (citizenry), showing the image of a building suspended in its own closure.
The perception of the scale becomes ambiguous. The relationship figure-background is resolved in its own: the building is alternately figure and background of itself. This architecture is sophisticated, refined in its shape and details, but is limited in a suspended and laconic dimension. 
ryanpanos:

Conclusus | Alberto Campo Baeza | Fabio Candido
In recent years, the many European citizens believe that their Countries suffer an oppressive bureaucracy, due to the redundancy of public authorities.
The Junta de Castilla y Leòn, client of the project of Alberto Campo Baeza, is a local authority that by nature should have a direct relationship with the territory and citizens. This is the reason why Campo Baeza - as himself writes - focused his work on the relationship between inner space and outer space, opening the wall to select with accuracy some views of the city. It is an exemplary design on the theme of hortus conclusus.
From many sides the Junta de Castilla y Leòn is considered an useless and inefficient authority, due to a cultural detachment between its policy and citizen’s demands. Furthermore - maybe for this reason - many Zamora’s inhabitants perceive as a negative factor the detachment between the authority’s offices and the city, due to the fence. Maybe the windows in the wall are not adequate because the client is far from the territory.
This photographic work analyze the condition of detachment between architecture (authority) and the city (citizenry), showing the image of a building suspended in its own closure.
The perception of the scale becomes ambiguous. The relationship figure-background is resolved in its own: the building is alternately figure and background of itself. This architecture is sophisticated, refined in its shape and details, but is limited in a suspended and laconic dimension. 
ryanpanos:

Conclusus | Alberto Campo Baeza | Fabio Candido
In recent years, the many European citizens believe that their Countries suffer an oppressive bureaucracy, due to the redundancy of public authorities.
The Junta de Castilla y Leòn, client of the project of Alberto Campo Baeza, is a local authority that by nature should have a direct relationship with the territory and citizens. This is the reason why Campo Baeza - as himself writes - focused his work on the relationship between inner space and outer space, opening the wall to select with accuracy some views of the city. It is an exemplary design on the theme of hortus conclusus.
From many sides the Junta de Castilla y Leòn is considered an useless and inefficient authority, due to a cultural detachment between its policy and citizen’s demands. Furthermore - maybe for this reason - many Zamora’s inhabitants perceive as a negative factor the detachment between the authority’s offices and the city, due to the fence. Maybe the windows in the wall are not adequate because the client is far from the territory.
This photographic work analyze the condition of detachment between architecture (authority) and the city (citizenry), showing the image of a building suspended in its own closure.
The perception of the scale becomes ambiguous. The relationship figure-background is resolved in its own: the building is alternately figure and background of itself. This architecture is sophisticated, refined in its shape and details, but is limited in a suspended and laconic dimension. 
ryanpanos:

Conclusus | Alberto Campo Baeza | Fabio Candido
In recent years, the many European citizens believe that their Countries suffer an oppressive bureaucracy, due to the redundancy of public authorities.
The Junta de Castilla y Leòn, client of the project of Alberto Campo Baeza, is a local authority that by nature should have a direct relationship with the territory and citizens. This is the reason why Campo Baeza - as himself writes - focused his work on the relationship between inner space and outer space, opening the wall to select with accuracy some views of the city. It is an exemplary design on the theme of hortus conclusus.
From many sides the Junta de Castilla y Leòn is considered an useless and inefficient authority, due to a cultural detachment between its policy and citizen’s demands. Furthermore - maybe for this reason - many Zamora’s inhabitants perceive as a negative factor the detachment between the authority’s offices and the city, due to the fence. Maybe the windows in the wall are not adequate because the client is far from the territory.
This photographic work analyze the condition of detachment between architecture (authority) and the city (citizenry), showing the image of a building suspended in its own closure.
The perception of the scale becomes ambiguous. The relationship figure-background is resolved in its own: the building is alternately figure and background of itself. This architecture is sophisticated, refined in its shape and details, but is limited in a suspended and laconic dimension. 
ryanpanos:

Conclusus | Alberto Campo Baeza | Fabio Candido
In recent years, the many European citizens believe that their Countries suffer an oppressive bureaucracy, due to the redundancy of public authorities.
The Junta de Castilla y Leòn, client of the project of Alberto Campo Baeza, is a local authority that by nature should have a direct relationship with the territory and citizens. This is the reason why Campo Baeza - as himself writes - focused his work on the relationship between inner space and outer space, opening the wall to select with accuracy some views of the city. It is an exemplary design on the theme of hortus conclusus.
From many sides the Junta de Castilla y Leòn is considered an useless and inefficient authority, due to a cultural detachment between its policy and citizen’s demands. Furthermore - maybe for this reason - many Zamora’s inhabitants perceive as a negative factor the detachment between the authority’s offices and the city, due to the fence. Maybe the windows in the wall are not adequate because the client is far from the territory.
This photographic work analyze the condition of detachment between architecture (authority) and the city (citizenry), showing the image of a building suspended in its own closure.
The perception of the scale becomes ambiguous. The relationship figure-background is resolved in its own: the building is alternately figure and background of itself. This architecture is sophisticated, refined in its shape and details, but is limited in a suspended and laconic dimension. 
ryanpanos:

Conclusus | Alberto Campo Baeza | Fabio Candido
In recent years, the many European citizens believe that their Countries suffer an oppressive bureaucracy, due to the redundancy of public authorities.
The Junta de Castilla y Leòn, client of the project of Alberto Campo Baeza, is a local authority that by nature should have a direct relationship with the territory and citizens. This is the reason why Campo Baeza - as himself writes - focused his work on the relationship between inner space and outer space, opening the wall to select with accuracy some views of the city. It is an exemplary design on the theme of hortus conclusus.
From many sides the Junta de Castilla y Leòn is considered an useless and inefficient authority, due to a cultural detachment between its policy and citizen’s demands. Furthermore - maybe for this reason - many Zamora’s inhabitants perceive as a negative factor the detachment between the authority’s offices and the city, due to the fence. Maybe the windows in the wall are not adequate because the client is far from the territory.
This photographic work analyze the condition of detachment between architecture (authority) and the city (citizenry), showing the image of a building suspended in its own closure.
The perception of the scale becomes ambiguous. The relationship figure-background is resolved in its own: the building is alternately figure and background of itself. This architecture is sophisticated, refined in its shape and details, but is limited in a suspended and laconic dimension. 
ryanpanos:

Conclusus | Alberto Campo Baeza | Fabio Candido
In recent years, the many European citizens believe that their Countries suffer an oppressive bureaucracy, due to the redundancy of public authorities.
The Junta de Castilla y Leòn, client of the project of Alberto Campo Baeza, is a local authority that by nature should have a direct relationship with the territory and citizens. This is the reason why Campo Baeza - as himself writes - focused his work on the relationship between inner space and outer space, opening the wall to select with accuracy some views of the city. It is an exemplary design on the theme of hortus conclusus.
From many sides the Junta de Castilla y Leòn is considered an useless and inefficient authority, due to a cultural detachment between its policy and citizen’s demands. Furthermore - maybe for this reason - many Zamora’s inhabitants perceive as a negative factor the detachment between the authority’s offices and the city, due to the fence. Maybe the windows in the wall are not adequate because the client is far from the territory.
This photographic work analyze the condition of detachment between architecture (authority) and the city (citizenry), showing the image of a building suspended in its own closure.
The perception of the scale becomes ambiguous. The relationship figure-background is resolved in its own: the building is alternately figure and background of itself. This architecture is sophisticated, refined in its shape and details, but is limited in a suspended and laconic dimension. 
ryanpanos:

Conclusus | Alberto Campo Baeza | Fabio Candido
In recent years, the many European citizens believe that their Countries suffer an oppressive bureaucracy, due to the redundancy of public authorities.
The Junta de Castilla y Leòn, client of the project of Alberto Campo Baeza, is a local authority that by nature should have a direct relationship with the territory and citizens. This is the reason why Campo Baeza - as himself writes - focused his work on the relationship between inner space and outer space, opening the wall to select with accuracy some views of the city. It is an exemplary design on the theme of hortus conclusus.
From many sides the Junta de Castilla y Leòn is considered an useless and inefficient authority, due to a cultural detachment between its policy and citizen’s demands. Furthermore - maybe for this reason - many Zamora’s inhabitants perceive as a negative factor the detachment between the authority’s offices and the city, due to the fence. Maybe the windows in the wall are not adequate because the client is far from the territory.
This photographic work analyze the condition of detachment between architecture (authority) and the city (citizenry), showing the image of a building suspended in its own closure.
The perception of the scale becomes ambiguous. The relationship figure-background is resolved in its own: the building is alternately figure and background of itself. This architecture is sophisticated, refined in its shape and details, but is limited in a suspended and laconic dimension. 
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ryanpanos:

Museum of Civilizations | GM architects | Via
As a proposal for a reflective experience deeply rooted in its city’s history, lebanese studio GM architects has envisioned ‘museum of civilizations’, sunk into the landscape of beirut’s martyrs’ square. The proposal excavates through various strata of earth, which contain traces from greek, roman, byzantine, ottoman, and french societies. The large hole is then infilled with two structures – a massive gridded scaffold and tall white tower – which are connected by a singular circulation path. a succession of voids break through the tressle-like block, and are occupied by platforms for exhibition use as well as general observation. Below, a walkway passes over the site’s watery bottom to access a staircase wrapped by the high white wall.
ryanpanos:

Museum of Civilizations | GM architects | Via
As a proposal for a reflective experience deeply rooted in its city’s history, lebanese studio GM architects has envisioned ‘museum of civilizations’, sunk into the landscape of beirut’s martyrs’ square. The proposal excavates through various strata of earth, which contain traces from greek, roman, byzantine, ottoman, and french societies. The large hole is then infilled with two structures – a massive gridded scaffold and tall white tower – which are connected by a singular circulation path. a succession of voids break through the tressle-like block, and are occupied by platforms for exhibition use as well as general observation. Below, a walkway passes over the site’s watery bottom to access a staircase wrapped by the high white wall.
ryanpanos:

Museum of Civilizations | GM architects | Via
As a proposal for a reflective experience deeply rooted in its city’s history, lebanese studio GM architects has envisioned ‘museum of civilizations’, sunk into the landscape of beirut’s martyrs’ square. The proposal excavates through various strata of earth, which contain traces from greek, roman, byzantine, ottoman, and french societies. The large hole is then infilled with two structures – a massive gridded scaffold and tall white tower – which are connected by a singular circulation path. a succession of voids break through the tressle-like block, and are occupied by platforms for exhibition use as well as general observation. Below, a walkway passes over the site’s watery bottom to access a staircase wrapped by the high white wall.
ryanpanos:

Museum of Civilizations | GM architects | Via
As a proposal for a reflective experience deeply rooted in its city’s history, lebanese studio GM architects has envisioned ‘museum of civilizations’, sunk into the landscape of beirut’s martyrs’ square. The proposal excavates through various strata of earth, which contain traces from greek, roman, byzantine, ottoman, and french societies. The large hole is then infilled with two structures – a massive gridded scaffold and tall white tower – which are connected by a singular circulation path. a succession of voids break through the tressle-like block, and are occupied by platforms for exhibition use as well as general observation. Below, a walkway passes over the site’s watery bottom to access a staircase wrapped by the high white wall.
ryanpanos:

Museum of Civilizations | GM architects | Via
As a proposal for a reflective experience deeply rooted in its city’s history, lebanese studio GM architects has envisioned ‘museum of civilizations’, sunk into the landscape of beirut’s martyrs’ square. The proposal excavates through various strata of earth, which contain traces from greek, roman, byzantine, ottoman, and french societies. The large hole is then infilled with two structures – a massive gridded scaffold and tall white tower – which are connected by a singular circulation path. a succession of voids break through the tressle-like block, and are occupied by platforms for exhibition use as well as general observation. Below, a walkway passes over the site’s watery bottom to access a staircase wrapped by the high white wall.
ryanpanos:

Museum of Civilizations | GM architects | Via
As a proposal for a reflective experience deeply rooted in its city’s history, lebanese studio GM architects has envisioned ‘museum of civilizations’, sunk into the landscape of beirut’s martyrs’ square. The proposal excavates through various strata of earth, which contain traces from greek, roman, byzantine, ottoman, and french societies. The large hole is then infilled with two structures – a massive gridded scaffold and tall white tower – which are connected by a singular circulation path. a succession of voids break through the tressle-like block, and are occupied by platforms for exhibition use as well as general observation. Below, a walkway passes over the site’s watery bottom to access a staircase wrapped by the high white wall.
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ryanpanos:

cjwho:

Bachelors Degree Presentation by Christoph Sevcnikar

Its my final bachelors degree presentation layout, but im still working on my presentation model made of wood, which im going to post when its finished, hopefully in october.

the project is a concert hall for classic orchestra music in reichenau, austria. the main idea was a visible wood construction to build the ribbed slabs and bridges, who are connecting the different areas of the building.

and it looks much better on DIN A0.

1. Info sheet with concept idea and some technical explanation
2. groundfloor plan + elevation / section
3. 1st floor plan + elevation / section
4. 2nd floor plan + elevation / section
5. 3rd floor plan + elevation / section
6. facade cross-section and details

CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe

Great work cjwho!
ryanpanos:

cjwho:

Bachelors Degree Presentation by Christoph Sevcnikar

Its my final bachelors degree presentation layout, but im still working on my presentation model made of wood, which im going to post when its finished, hopefully in october.

the project is a concert hall for classic orchestra music in reichenau, austria. the main idea was a visible wood construction to build the ribbed slabs and bridges, who are connecting the different areas of the building.

and it looks much better on DIN A0.

1. Info sheet with concept idea and some technical explanation
2. groundfloor plan + elevation / section
3. 1st floor plan + elevation / section
4. 2nd floor plan + elevation / section
5. 3rd floor plan + elevation / section
6. facade cross-section and details

CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe

Great work cjwho!
ryanpanos:

cjwho:

Bachelors Degree Presentation by Christoph Sevcnikar

Its my final bachelors degree presentation layout, but im still working on my presentation model made of wood, which im going to post when its finished, hopefully in october.

the project is a concert hall for classic orchestra music in reichenau, austria. the main idea was a visible wood construction to build the ribbed slabs and bridges, who are connecting the different areas of the building.

and it looks much better on DIN A0.

1. Info sheet with concept idea and some technical explanation
2. groundfloor plan + elevation / section
3. 1st floor plan + elevation / section
4. 2nd floor plan + elevation / section
5. 3rd floor plan + elevation / section
6. facade cross-section and details

CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe

Great work cjwho!
ryanpanos:

cjwho:

Bachelors Degree Presentation by Christoph Sevcnikar

Its my final bachelors degree presentation layout, but im still working on my presentation model made of wood, which im going to post when its finished, hopefully in october.

the project is a concert hall for classic orchestra music in reichenau, austria. the main idea was a visible wood construction to build the ribbed slabs and bridges, who are connecting the different areas of the building.

and it looks much better on DIN A0.

1. Info sheet with concept idea and some technical explanation
2. groundfloor plan + elevation / section
3. 1st floor plan + elevation / section
4. 2nd floor plan + elevation / section
5. 3rd floor plan + elevation / section
6. facade cross-section and details

CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe

Great work cjwho!
ryanpanos:

cjwho:

Bachelors Degree Presentation by Christoph Sevcnikar

Its my final bachelors degree presentation layout, but im still working on my presentation model made of wood, which im going to post when its finished, hopefully in october.

the project is a concert hall for classic orchestra music in reichenau, austria. the main idea was a visible wood construction to build the ribbed slabs and bridges, who are connecting the different areas of the building.

and it looks much better on DIN A0.

1. Info sheet with concept idea and some technical explanation
2. groundfloor plan + elevation / section
3. 1st floor plan + elevation / section
4. 2nd floor plan + elevation / section
5. 3rd floor plan + elevation / section
6. facade cross-section and details

CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe

Great work cjwho!
ryanpanos:

cjwho:

Bachelors Degree Presentation by Christoph Sevcnikar

Its my final bachelors degree presentation layout, but im still working on my presentation model made of wood, which im going to post when its finished, hopefully in october.

the project is a concert hall for classic orchestra music in reichenau, austria. the main idea was a visible wood construction to build the ribbed slabs and bridges, who are connecting the different areas of the building.

and it looks much better on DIN A0.

1. Info sheet with concept idea and some technical explanation
2. groundfloor plan + elevation / section
3. 1st floor plan + elevation / section
4. 2nd floor plan + elevation / section
5. 3rd floor plan + elevation / section
6. facade cross-section and details

CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe

Great work cjwho!
+
ryanpanos:

Restore | Mattia Mognetti
Restore is a project about ancient places of worship. Most of these architectural masterpieces are located near the centre of the city and too often the contemporary urbanization has been sadly unscrupulous on them. The aim of the project was to bring them back to the origins. The influence of the modern urban elements attempts to be as much as possible controlled by the technical choices and the radical postprocessing/retouching approach.
ryanpanos:

Restore | Mattia Mognetti
Restore is a project about ancient places of worship. Most of these architectural masterpieces are located near the centre of the city and too often the contemporary urbanization has been sadly unscrupulous on them. The aim of the project was to bring them back to the origins. The influence of the modern urban elements attempts to be as much as possible controlled by the technical choices and the radical postprocessing/retouching approach.
ryanpanos:

Restore | Mattia Mognetti
Restore is a project about ancient places of worship. Most of these architectural masterpieces are located near the centre of the city and too often the contemporary urbanization has been sadly unscrupulous on them. The aim of the project was to bring them back to the origins. The influence of the modern urban elements attempts to be as much as possible controlled by the technical choices and the radical postprocessing/retouching approach.
ryanpanos:

Restore | Mattia Mognetti
Restore is a project about ancient places of worship. Most of these architectural masterpieces are located near the centre of the city and too often the contemporary urbanization has been sadly unscrupulous on them. The aim of the project was to bring them back to the origins. The influence of the modern urban elements attempts to be as much as possible controlled by the technical choices and the radical postprocessing/retouching approach.
ryanpanos:

Restore | Mattia Mognetti
Restore is a project about ancient places of worship. Most of these architectural masterpieces are located near the centre of the city and too often the contemporary urbanization has been sadly unscrupulous on them. The aim of the project was to bring them back to the origins. The influence of the modern urban elements attempts to be as much as possible controlled by the technical choices and the radical postprocessing/retouching approach.
ryanpanos:

Restore | Mattia Mognetti
Restore is a project about ancient places of worship. Most of these architectural masterpieces are located near the centre of the city and too often the contemporary urbanization has been sadly unscrupulous on them. The aim of the project was to bring them back to the origins. The influence of the modern urban elements attempts to be as much as possible controlled by the technical choices and the radical postprocessing/retouching approach.
ryanpanos:

Restore | Mattia Mognetti
Restore is a project about ancient places of worship. Most of these architectural masterpieces are located near the centre of the city and too often the contemporary urbanization has been sadly unscrupulous on them. The aim of the project was to bring them back to the origins. The influence of the modern urban elements attempts to be as much as possible controlled by the technical choices and the radical postprocessing/retouching approach.
ryanpanos:

Restore | Mattia Mognetti
Restore is a project about ancient places of worship. Most of these architectural masterpieces are located near the centre of the city and too often the contemporary urbanization has been sadly unscrupulous on them. The aim of the project was to bring them back to the origins. The influence of the modern urban elements attempts to be as much as possible controlled by the technical choices and the radical postprocessing/retouching approach.
+
wherearchitectureisfun:

WAÏF: Extreme Stages
Bregenzer Festspiele (Bregenz Festival) is a performing arts festival which is held every July and August in Bregenz, Austria.


Founded in 1946, the festival presents a wide variety of musical and theatrical events in several venues.
Seebühne (or floating stage), with 7,000 seats, is the location for large-scale opera or musical performances on a stage over water on the shores of Lake Constance. Opera or musical productions on the floating stage generally tend to come from the popular operatic repertoire, but often are extravagantly original and innovative productions/ stagings, frequently using the waters of the lake as an extension of the stage
source
wherearchitectureisfun:

WAÏF: Extreme Stages
Bregenzer Festspiele (Bregenz Festival) is a performing arts festival which is held every July and August in Bregenz, Austria.


Founded in 1946, the festival presents a wide variety of musical and theatrical events in several venues.
Seebühne (or floating stage), with 7,000 seats, is the location for large-scale opera or musical performances on a stage over water on the shores of Lake Constance. Opera or musical productions on the floating stage generally tend to come from the popular operatic repertoire, but often are extravagantly original and innovative productions/ stagings, frequently using the waters of the lake as an extension of the stage
source
wherearchitectureisfun:

WAÏF: Extreme Stages
Bregenzer Festspiele (Bregenz Festival) is a performing arts festival which is held every July and August in Bregenz, Austria.


Founded in 1946, the festival presents a wide variety of musical and theatrical events in several venues.
Seebühne (or floating stage), with 7,000 seats, is the location for large-scale opera or musical performances on a stage over water on the shores of Lake Constance. Opera or musical productions on the floating stage generally tend to come from the popular operatic repertoire, but often are extravagantly original and innovative productions/ stagings, frequently using the waters of the lake as an extension of the stage
source
wherearchitectureisfun:

WAÏF: Extreme Stages
Bregenzer Festspiele (Bregenz Festival) is a performing arts festival which is held every July and August in Bregenz, Austria.


Founded in 1946, the festival presents a wide variety of musical and theatrical events in several venues.
Seebühne (or floating stage), with 7,000 seats, is the location for large-scale opera or musical performances on a stage over water on the shores of Lake Constance. Opera or musical productions on the floating stage generally tend to come from the popular operatic repertoire, but often are extravagantly original and innovative productions/ stagings, frequently using the waters of the lake as an extension of the stage
source
wherearchitectureisfun:

WAÏF: Extreme Stages
Bregenzer Festspiele (Bregenz Festival) is a performing arts festival which is held every July and August in Bregenz, Austria.


Founded in 1946, the festival presents a wide variety of musical and theatrical events in several venues.
Seebühne (or floating stage), with 7,000 seats, is the location for large-scale opera or musical performances on a stage over water on the shores of Lake Constance. Opera or musical productions on the floating stage generally tend to come from the popular operatic repertoire, but often are extravagantly original and innovative productions/ stagings, frequently using the waters of the lake as an extension of the stage
source
wherearchitectureisfun:

WAÏF: Extreme Stages
Bregenzer Festspiele (Bregenz Festival) is a performing arts festival which is held every July and August in Bregenz, Austria.


Founded in 1946, the festival presents a wide variety of musical and theatrical events in several venues.
Seebühne (or floating stage), with 7,000 seats, is the location for large-scale opera or musical performances on a stage over water on the shores of Lake Constance. Opera or musical productions on the floating stage generally tend to come from the popular operatic repertoire, but often are extravagantly original and innovative productions/ stagings, frequently using the waters of the lake as an extension of the stage
source
wherearchitectureisfun:

WAÏF: Extreme Stages
Bregenzer Festspiele (Bregenz Festival) is a performing arts festival which is held every July and August in Bregenz, Austria.


Founded in 1946, the festival presents a wide variety of musical and theatrical events in several venues.
Seebühne (or floating stage), with 7,000 seats, is the location for large-scale opera or musical performances on a stage over water on the shores of Lake Constance. Opera or musical productions on the floating stage generally tend to come from the popular operatic repertoire, but often are extravagantly original and innovative productions/ stagings, frequently using the waters of the lake as an extension of the stage
source
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ryanpanos:

Levee Control Center | Wiel Arets Architects | Via
ryanpanos:

Levee Control Center | Wiel Arets Architects | Via
ryanpanos:

Levee Control Center | Wiel Arets Architects | Via
ryanpanos:

Levee Control Center | Wiel Arets Architects | Via
ryanpanos:

Levee Control Center | Wiel Arets Architects | Via
ryanpanos:

Levee Control Center | Wiel Arets Architects | Via
ryanpanos:

Levee Control Center | Wiel Arets Architects | Via
+
ryanpanos:

Fog | Marit Vaagen Røe
ryanpanos:

Fog | Marit Vaagen Røe
ryanpanos:

Fog | Marit Vaagen Røe
ryanpanos:

Fog | Marit Vaagen Røe
ryanpanos:

Fog | Marit Vaagen Røe